#NanoInterview: Thom Erb returns

DD: Thanks for plugging back in, Thom! Tell us about your latest release, THE LAST IN LINE.

TE: Howdy! Thank you! It's great to be back. 
The Last in Line is a book, ten years in the making. (Writing-wise) Thirty-years, Ideas and inspiration wise. You can think of it as Stranger Things meets Night of the Living Dead, meets Dungeons & Dragons, all set to a kick-ass 80's music soundtrack.
As with most of my zombie stories, it has far more to do with the living, breathing folks, than the moaning undead. It's 1985 and a group of terrorists have detonated a series of deadly dirty bombs all across the world, spreading a virus that kills nearly instantly, then causes the dead to rise and feed on the living.
These aren't your grandfather's zoms, no way in hell. Well, Hell, is actually quite accurate. These undead have red glowing eyes and cry black tears as they mournfully devour their loved ones.
A dark, shadow cult has risen to exact their revenge and one a group of blood-sworn guardians, calling themselves the Keeper's of the Eternal Flame can prevent the cultists from opening a hell-gate that would set their vile master free on this plane.
Among all of that is our group of unwitting, and wanting heroes. Warren, a chubby, comic-nerd just wants to graduate and draw for marvel and his yellow lab, Maico. Dex, Arnie, Jack, high school friends. A tough, inner-city girl. Throw in a gruff wheel-chair-bound Vietnam vet turned rock DJ and a strange, diminutive British guy spouting off about ancient prophecies, demons and casting spells.
It has all the elements of an 80's horror-flick, if it were directed by hybrid of directors, Stephen Spielberg, George Lucas and Quentin Tarantino.  It's really a love letter to my childhood and teenage years. I had a great time writing this book and book two, Heaven & Hell is nearly finished, as well as the outline for book three, To Hell with the Devil. It certainly gets wild as the story rolls on. I do hope the folks check it out.

DD: What does your writing space look like?

TE: I have the third bay of our garage converted into a studio for all of my creative shenanigans. Inside, I have my drums, a PA system (which I use to crank my writing soundtracks, see the question below.) A drawing table (with a Wacom tablet) and art easel for my visual pursuits. And even an area for my friends and I to play Dungeons & Dragons.
My actual writing space if a large corner desk with two monitors, printer and wireless gear for all my creative fun. I have tons of zombie toys, Funko-Pop Stranger Things figures and Buddha statues and incense burners and candles to keep me inspired, along with some printed out quotes from my writing heroes/mentors to keep me focused. (Maberry, King, Keene, Lansdale, more.) I even have some Dallas Cowboy paraphernalia just in hopes to raise some positive mojo. (it never helps.)
On the walls I have posters of some of my book covers for when I am feeling like I completely suck and having a hard time keeping my big bum in chair.
I try to surround myself with things that put me in a “happy place”. A spot where I don't worry about the bills, yard work, politics, how bad my Cowboys are losing. You know... the real world crap.
I truly believe, every person needs their own “space”. Especially creative souls. It took me twenty years or so to finally get mine, but lord, almighty does it kick moby butt.

DD:. Do you listen to music when you write? If so, what's the music of THE LAST IN LINE?

TE: Oh, hell yes. Music is the very-life-blood of my existence. I was a musician before I was a full-time writer and it was inevitable for the music to find its way into that aspect of my creativity.
Every book, or short story, for that matter has a soundtrack. The Last in Line was no different. It was all 1980's hard rock and heavy metal. (with a little pop stuff thrown in for fairness to my childhood.) Mostly, DIO, Iron Maiden, Judas Priest, Motley Crue, Scorpions, WASP, Stryper, Whitesnake, Metallica, King Diamond, Queensryche, AC/DC, KIX, Accept, Krokus, Black 'N Blue,  Rainbow, Dokken, Van Halen, Y&T, Triumph, RUSH, Foreigner, and so many more.
Well, truth be told, there were some 80's tunes of a lesser “heavy” vibe. Such as Men Without Hats, Bon Jovi, Duran Duran, Genesis, Culture Club, Bruce Springsteen, Dexy's Midnight Runners, The Tubes,  The Hooters, and so much more lame 80's tunes. (I kid. I dug those songs too. Don't hunt me down and take away my devil horns.)

DD: You did the cover for this novel yourself. What's your process from conception to completion?

TE: Well, in truth, I did the initial sketch and layout of what I wanted for the cover, but I hired a tremendously talented horror artist, Jim Kavanuagh to actually illustrate the cover. It was his unique style and brilliant color choice that I thought captured the essence of an 80's movie poster/rock album cover.
We worked closely together and made changes and tweaks as Jim went along.
I'll speak to my aspect of the creation.
Since the story was an 80's retro tale, I wanted to go with an action movie poster vibe, mixed with the same excited, over-the-top elements from some of my favorite rock/metal album covers.  Ya' know, all our heroes are surrounded by the bad guys/monsters and all hope seems lost. Yet there's an element of something amazing about to happen. It just seemed spot-on to me.
So, I did some sketches, send them off to Jim, with a few photo references and he send me back his ideas and we hashed it out from there. It came together rather quickly.
And before we knew it, we had us a kick ass, 80's cover.
As a side note, Jim also illustrated the back cover, but sadly, with all the text, blurbs and such, much of it is lost. I do plan on making the images available to my Citizens of the Erbal Nation group, so if anyone is interested in checking out those groovy pics, they can click here and join me.
You can also check out Jim's great artwork right here.

DD: Can you tease what readers can expect as the Eternal Flame Trilogy continues to unfold?

TE: I don't want to give too much away, but we find our reluctant heroes in a pretty dark place at the end of the LIL. But, the story takes a sharp turn and will be turned up a notch.  Fraught with a whole new realm of dangers and bad guys.  A new world(s) embedded with magic, hideous abyssal creatures with a mix of various mythologies, overwhelming love and gut-wrenching hate. Old characters will return. While a slew of new, fun personalities show up and take the story in a whole other direction.
By the end of book three, the stakes will have changed, risen and been violently burned to cinders. All of the tangled story/character lines will have been untied and the hectic gauntlet set forth in book one will end in an explosive and powerful crescendo.
All the over-the-top hyperbole aside,  man, I've worked hard to make these books match my vivid dream I've had since 1986.  I can only hope that the reader enjoys the roller-coaster ride and joins me for a few hours.
I do promise that it will be a thrill ride that I hope captures what it was like being a seventeen-year-old kid in 1985. That is, if it were in a zombie apocalypse, rife with demonic cults and drunken magic-user and dark assassins trying to kill you.
That's not too much to ask of their suspension of disbelief, is it?
Hey, the Erbman had to ask.
Come on and join the adventure. Let's do this!


#NanoInterview: Shannon Giglio

DD: Thanks for plugging in, Shannon! You've written some wonderfully weird and original stuff including Short Bus Hero, which I loved. Tell us about your latest, Antichrist Supertaster.

SG: Hi, Dave! Thanks for having me. Yeah, you loved Short Bus Hero? That’s awesome, thank you! That book was pretty weird, I guess. The best thing about it? A lot of my horror friends told me that it made them cry. It made me so happy to hear that. How do you follow that? Well, you take a really long break, during which you sign with a big agent and do some networking with Hollywood players, and after that, you write another weird book with a catchy title. Antichrist Supertaster is the story of a kid tasked with saving his brother from a post-apocalyptic Washington, D.C. concentration camp and showing him that there’s still good left in the world. After a short stay with their cannibalistic grandmother in Manassas, the young travelers get picked up by a cult made up of anachronistic personalities who become convinced that the main character’s epilepsy is a clear sign that the teen is none other than the Antichrist. All hell breaks loose when one of the cult members figures out who the kids’ dad is, forcing our hero to make some tough choices. It’s kind of like The Road meets American Gods meets a They Might Be Giants song. There’s magic, despair, hope, poison candy, the resurrection and reconfiguration of the American dream, and an interpretation of the meaning of life.

DD: What does your writing space look like? Are there any rituals or habits you have to indulge before you write?

SG: My writing space…there are always a lot of coffee mugs, empty or mostly-empty soda cans, candy wrappers, and unopened mail hanging around. Sometimes, something in the clutter will give me an idea or help me solve a problem (usually not, but it’s happened). I don’t have any rituals or habits, but I do have this cheap Halloween costume hockey mask that I wear on my most productive days. It’s a little superstitious, I guess. 

DD: Do dreams ever influence your work? Do you keep track of dreams?

SG: Either I am not lucky enough to dream or I just don’t remember any of my dreams. It’s probably the latter – I forget everything (how long did it take me to get back to you on these questions?). Since I’m dream-deficient, I have to rely on reality and conscious imagination. 

DD: Do you write to music?

SG: Sometimes I have music on while I’m writing. It’s usually Death Cab for Cutie or Frightened Rabbit or some ‘80s band like The Smiths or The Cure. Lately, though, I’ve been pretty deeply depressed, and when I’m depressed, I don’t listen to music (not even depressing music)—everything seems too loud or distracting. I used to make playlists for writing, and I hope to go back to that practice someday, but, right now, I write in silence, or with cable news on in the background, or Marc Maron’s WTF podcast. I definitely write better with music.

DD: On the zombie front, is there anything you'd like to see more (or less) of in the genre?

SG: With The Walking Dead’s popularity and all the zombie books I read a few years ago, I’m kind of on a zombie hiatus. My main character in Antichrist Supertaster does bring a few beings back to life, with not-so-good results, so I’m not totally dissing zombie culture, but I’m not writing typical zombie stuff. My favorite zombie story is Scott Browne’s Breathers – it’s funny, but it’s sad, too. I’d say I like a little comedy and melancholy with my zombies, but it has to be done well. It’s a difficult thing to pull off because most of the comedy I’ve seen mixed into the horror genre just doesn’t work for me – it’s cheesy and cliché, and I don’t like that. If I had to read a zombie book, I guess I’d like to see more dry wit, and a newly minted zombie’s wonder at “WTF am I, what’s going on, I’m fucking starving—I eat what now? How in the hell am I going to get a brain?!” Maybe like an Interview With the Vampire or The Vampire Lestat, only with zombies. Maybe I’ll write that (there’s probably a book like that already out there that I don’t know about—I haven’t been keeping up with the zombies as much as I should).


#NanoInterview: Ben Eads

Ben is the editor of Tales from the Lake Volume 4, coming October 27th from Crystal Lake Publishing. The anthology includes my story "Snowmen."

DD: Thanks for plugging in, Ben! First, tell us about the upcoming TALES FROM THE LAKE VOL. 4, a Crystal Lake Publishing anthology you edited. What’s the history of this series, and where are you taking it with this latest entry?

BE: Thanks for having me! It’s my pleasure. Tales from the Lake has always been a play on words—Crystal Lake/From the Lake. Since Volume: 1, we’ve published writers we’ve already worked with as well as others we would like to work with in the in future. There was always a subtle theme of urban myths and legends from Volume: 1 to Volume: 3. I wanted to do something different with Volume: 4. I wanted to raise the bar quality-wise, as well as take it in a new direction in terms of theme. And that theme is this: Unique, emotional, and powerful stories that leave a lasting impact on the reader. I want the readers to feel as if they’ve been to Hell and back when they’re done reading. Some stories have a more literary slant, others have a more fantastical slant. Some will bring tears to your eyes, others will crank your imagination up. But all pluck at the reader’s heart strings. Once the blurbs and feedback came in, I was over the moon! I’m very happy to say I accomplished what I set out to do. The contributors made my job easy.

DD: As the editor of a diverse horror anthology, how do you decide on the story order?

BE: The CEO and Founder of Crystal Lake Publishing Joe Mynhardt and I worked on that. All of the stories are powerful and diverse, so we didn’t have that problem. You could put them in any order, really, but we chose the final order to reflect said diversity. There’s something in here for everyone.   

DD: You’re also an author. Tell us about your most recent projects.

BE: Thanks for asking! You can find my horror novella Cracked Sky, which was published by the Bram Stoker Award winning press Omnium Gatherum, on Amazon.com or their website: http://www.omniumgatherumbooks.com/ I’m very happy to say that book opened a lot of doors for me. I’ve had short horror fiction published in Shroud Magazine, The Ashen Eye, Tales from the Lake Volume: 2, and my short literary story Stardust appears in the anthology Between the Lines, edited by Bram Stoker Award Winning editor Michael Knost, and was published by Seventh Star Press. I’m finishing up my latest book, and that will be published by Crystal Lake Publishing in, 2019. I’ve just started another one that will hopefully be published before, 2019. Ha!

DD: Do dreams influence your writing at all? Do you keep track of dreams?

BE: I think I’m the only horror writer/author that doesn’t remember their dreams. I feel left out. Ha! It’s like I’m a radio station; I don’t know where these concepts come from. They’re like movie trailers in my head.

DD: Are you a zombie fan and, if so, what do you think the genre needs more (or less) of?

BE: If the plot/premise and voice is unique and powerful, yes! I fell back in love with horror that has zombies in it by reading your Empire series of novels. They were game-changers. So, much love and respect to you for doing that! Same goes for Jonathan Maberry’s work. What does it need more of? Uniqueness. Evolve the sub-genre. Do something no one else has done yet. What would I like to see less of in that sub-genre? “Hey! Zombies are attacking us!” I’d rather have a root canal without Novocain than read those stories. I sincerely mean that. Trends come and go. But if it’s unique, then it will stand the test of time and out-live the trend.  


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